BOY GEORGE & CULTURE CLUB TO PERFORM AT FOUR WINDS NEW BUFFALO’S SILVER CREEK EVENT CENTER ON SATURDAY, AUGUST 27

BOY GEORGE & CULTURE CLUB TO PERFORM AT FOUR WINDS NEW BUFFALO’S SILVER CREEK EVENT CENTER ON SATURDAY, AUGUST 27

Tickets go on sale on Friday, May 20

The Pokagon Band of Potawatomi’s Four Winds® Casinos are pleased to announce that Boy George & Culture Club will perform at Four Winds New Buffalo’s Silver Creek® Event Center on Saturday, August 27 at 9 p.m. Eastern.  Ticket prices for the show range from $79, $89 and $115, plus applicable fees, and can be purchased online beginning on Friday, May 20 at 11 a.m. Eastern.  Hotel rooms are available on the night of the concert and can be purchased with event tickets.

Few new wave groups were as popular as Culture Club.  During the early '80s, the group racked up seven straight Top Ten hits in the U.K. and six Top Ten singles in the U.S. with their light, infectious pop-soul.  Though their music was radio-ready, what brought the band stardom was Boy George, the group's charismatic, cross-dressing lead singer.  George dressed in flamboyant dresses and wore heavy makeup, creating a disarmingly androgynous appearance that created a sensation on early MTV.  George also had a biting wit and frequently came up with cutting quips that won Culture Club heavy media exposure in both America and Britain.  Although closely aligned with the new romantics -- they were both inspired by Northern soul and fashion -- Culture Club had a sharper pop sense than their peers, and consequently had a broader appeal.  However, their time in the spotlight was brief.  Not only could they not withstand the changing fashions of MTV, but the group was fraught with personal tensions, including Boy George's drug addiction.  By 1986, the group had broken up, leaving behind several singles that rank as classics of the new wave era.

The son of a boxing club manager, Boy George (b. George O'Dowd, June 14, 1961), found himself attracted to the glam rock of T. Rex and David Bowie as a teenager.  During the post-punk era of the late '70s, he became a regular at London new romantic clubs.  Along with his cross-dressing friends Marilyn and Martin Degville (a future member of Sigue Sputnik), George became well-known around the London underground for his extravagant sense of style, and Malcolm McLaren invited him to join an early version of Bow Wow.  George briefly appeared with the band as Lieutenant Lush before leaving to form In Praise of Lemmings with bassist Mikey Craig (b. February 15, 1960).  Once guitarist Jon Suede joined the group, they changed their name to Sex Gang Children.  Within a few months, the band met Jon Moss (b. September 11, 1957), a professional drummer who had previously played with Adam & the Ants and the Damned.

By 1981, Boy George had renamed the group Culture Club and Suede had been replaced by Roy Hay (b. August 12, 1961), a former member of Russian Bouquet.  Toward the end of the year, they recorded a set of demos for EMI, but the label turned them down.  Early in 1982, the band landed a contract with Virgin Records, releasing "White Boy" in the spring.  Neither "White Boy" or its follow-up, "I'm Afraid of Me," made the charts but the British music and fashion press began running articles about Boy George.  In the fall, Culture Club released their breakthrough single, "Do You Really Want to Hurt Me," which rocketed to the top of the charts.  Shortly afterward, the band's debut, Kissing to Be Clever, climbed to number five on the U.K. charts and the non-LP single "Time (Clock of the Heart)" reached number three.  Early in 1983, Kissing to Be Clever and "Do You Really Want to Hurt Me" began climbing the U.S. charts, with the single peaking at number two.  "Time" reached number two in the U.S. shortly after the non-LP British single "Church of the Poison Mind," attained the same position in the U.K.  "I'll Tumble 4 Ya" became a Top Ten hit in America that summer.

By the time Culture Club's second album Colour by Numbers was released in the fall of 1983, the band was the most popular pop/rock group in America and England.  "Karma Chameleon" became a number one hit on both sides of the Atlantic, while the album reached number one in the U.K. and number two in the U.S.  Throughout 1984, the group racked up hits, with "It's a Miracle" and "Miss Me Blind" reaching the Top Ten.  In the fall, the group returned with its third album, Waking Up with the House on Fire.  While "The War Song" reached number two in the U.K., the album was a disappointment in America, stalling at platinum; its predecessor went quadruple platinum.

Following a brief tour in February, Culture Club went on hiatus for 1985, with Craig, Moss, and Hay pursuing extracurricular musical projects in the interim.  During the year, Boy George -- who had previously denounced drugs in public -- became addicted to heroin.  Furthermore, his romance with Moss, which had always been rocky, began to disintegrate.  All of these problems were kept hidden, but it became evident that something was wrong when Culture Club returned to action in the spring of 1986.  Though their comeback single, "Move Away," became a hit in April, its accompanying album From Luxury to Heartache stayed on the charts for only a few months.  Rumors of George's heroin addiction began to circulate, and by the summer, he announced that he was indeed addicted to the drug.  In July, he was arrested by the British police for possession of cannabis.  Several days later, keyboardist Michael Rudetski, who played on From Luxury to Heartache, was found dead of a heroin overdose in George's home.  Rudetski's parents unsuccessfully tried to press wrongful death charges on Boy George.

While Boy George was battling heroin addiction, and his subsequent dependence on prescription narcotics, Culture Club broke up.  George confirmed the group's disbandment in the spring of 1987, and he began a solo career later that year.  While his solo career produced several dance hits in Europe, he didn't land an American hit until 1992, when his cover of Dave Berry's "The Crying Game" was featured in the Academy Award-nominated film of the same name.  In 1995, George published his autobiography, Take It Like a Man.  Culture Club reunited in 1998, issuing the two-disc set VH1 Storytellers/Greatest Hits.

A new album, Don't Mind If I Do, appeared in 1999, reaching 64 on the U.K. charts; it did not receive an American release.  Culture Club next celebrated their 20th Anniversary with a 2002 concert at Royal Albert Hall, then entered an unofficial hiatus.  Jon Moss and Mikey Cragg attempted to tour with a new singer called Sam Butcher, but the project was scrapped before its launch.

Culture Club reunited in 2014 for a tour and the band also began work on a new album with producer Youth. The group scheduled the release of an album called Tribes in 2015, but the record never materialized.  Instead, the recordings provided the foundation for Life, the 2018 album that marked Culture Club's first new album in nearly 20 years (Biography credit: Stephen Thomas Erlewine). 

More information on Boy George & Culture Club can be found at https://boygeorgeandcultureclub.net/.           

Reservations and Information
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About The Pokagon Band of Potawatomi Indians of Michigan and Indiana

The Pokagon Band of Potawatomi’s sovereignty was reaffirmed under legislation signed into law by President Clinton in September of 1994.  The Pokagon Band is dedicated to providing community development initiatives such as housing, education, family services, medical care, and cultural preservation for its more than 5,900 citizens.  The Pokagon Band’s ten-county service area includes four counties in Southwestern Michigan and six in Northern Indiana.  Its main administrative offices are located in Dowagiac, Mich., with a satellite office in South Bend, Ind.  In 2007, it opened Four Winds Casino Resort in New Buffalo, Mich., followed by Four Winds Hartford in 2011, Four Winds Dowagiac in 2013 and Four Winds South Bend in January 2018.  The Pokagon Band operates a variety of businesses via Mno-Bmadsen, its non-gaming investment enterprise.  More information is available at www.pokagonband-nsn.govwww.fourwindscasino.com and www.mno-bmadsen.com.   

About Four Winds New Buffalo’s Silver Creek Event Center
Four Winds New Buffalo’s Silver Creek Event Center is a modern, multi-use facility that is located adjacent to the casino floor, at 11111 Wilson Road.  In addition to hosting concerts, the 17,000-sq. ft. event center is often reconfigured to host large meetings, special events, conferences, and banquets.  Details on concerts and other performances at Silver Creek Event Center are available at https://fourwindscasino.com/newbuffalo/entertainment/event-center.